Goldrush Online DanceLife Teacher Conference-Project Motivate Dance Teacher Store Recital Expo


-

RELATED LINKS

· Current Edition

· Past Editions

· Weekly Inspiration

· Print Subscription

· Media Kit Print Edition

· About Rhee Gold

· A Gold Family History

Higher Ed Voice

 

Recipe For Rejuvenation

By Tom Ralabate


Spirit ailing? Creativity a thing of the past? It may be time for a remedy.

 

It’s a typical day at work: I no sooner push through a laundry list of paperwork that needs timely attention than seven more items find their way to my almost-cleared workstation. Once again, I begin a never-ending cycle of paper pushing, skip my lunch, and squeeze in another student meeting.

 

Sound familiar? Over a seven-year period of performing administrative work, my greatest challenge as an artist/educator has been staying inspired. Dance administrators in higher education and private studio owners with teaching, artistic, and administrative responsibilities know this routine (excuse the pun) all too well. In a world of constant change, dance administrators in either setting usually face a three-tiered focus—educational, artistic, and managerial leadership—as they seek to make their programs and schools the best they can be. Over an extended period, this striving for excellence can lead one into a syndrome of burnout, a disorder that undermines spirit and creativity.

 

Just as successful artists are risk takers, successful artist/educators who also administrate take risks by inching toward concise goals, empowering and motivating those around them to do their best in the hopes of gaining trust and support. Good dance administrators think globally by doing what is best for the students, the program, the studio, and the faculty, not what is best for them. This kind of generosity can easily result in personal neglect of both body and spirit. Such people are too busy taking care of their surrounding world. Most dancers take pride in their kinesthetic intelligence and in the sensational pathways in which movement flows within and around their bodies. Like performers or athletes who listen to the wisdom of their aching bodies when they beg for rest, dance administrators also need to acknowledge the stress and pressure of their jobs. These ongoing demands take a toll physically, mentally, emotionally, and spiritually on work performance and activities of daily life.

 

In teaching dance, we use the word “centered” to find that perfect harmony among alignment, posture, and placement. It is a feeling of being at home with movement that allows us to shift gears, to go off-center and then back to center (home), allowing confidence and ease of movement. It’s a term that applies just as well to our mental state. Behavioral psychologists, courses in basic psychology, or spiritual advisors or pastors warn us against trying to be perfect, stressing the importance of allowing the meaningful values in our lives to lead us to a more centered condition.

 

To make these changes, we must be responsible and create a balance between hard work and constructive living. Following the perfect recipe for balanced living is virtually impossible, but I have keyed in on some primary ingredients that have aided my journey as an artist/educator/administrator. The list includes many variables; mix and blend them to prevent burnout and gain awareness in the fight against this ailment of spirit and creativity. 

 

1  Learn to prioritize at work and in your personal life. Make time for yourself by knowing where to direct your energy, and when to conserve it. Your dance training provides you with a keen kinesthetic intelligence, so listen to your body and try to be kind to yourself.

  

2  Learn to delegate and not to micromanage. Be open to other opinions, and try not to be the sole problem solver. Network with people who have influence and vision to assist you in making your program the best it can be.

 

3  Learn to plan ahead. Pace yourself and know where you are with both short- and long-range goals. This also means that sometimes you will have to say no when demands outside the realm of your work and personal life come into play.

 

 4  Learn through other resources. Today the market is saturated with self-help and self-discovery books to assist us in our self-nurturing and balanced-life journey. Choose one that fits your situation.

 

 5  Learn to question yourself.  Periodically, take a personal inventory and ask yourself: “What is important to me in my workplace and in my home setting? What value do I place on the professional and personal aspects of my life? What are my strengths and weaknesses?

 

 6  Learn to embrace humor and fun in both the workplace and in your personal life. Humor and fun are excellent remedies for the stress caused by interpersonal relationships or unexpected life events.

 

I enjoy the many challenges of administrative work as well as the rewards of its productivity; it has allowed me to make differences in the University at Buffalo’s dance program. At the same time I have discovered a new love for the magic of teaching and the creative process of choreography. At work, the studio has become my escape from the intensity of administrative work; in my personal life, I surround myself with supportive friends and loved ones. This combination helps me to keep a balanced and centered perspective, which serves as an antidote against those forces that threaten both the spirit and creativity of the artist/educator.

 
Send Page To a Friend


Contact: Goldrush, P.O. Box 2150, Norton, MA 02766,

Phone: 888-i-dance-9, 508-285-6650, Fax: 508-285-3179,

Email: Goldrushdance@aol.com


Copyright 2006 Goldrush Magazine, a division of the Rhee Gold Company and Gold Standard Press, LLC. Goldrush Magazine and Goldrush Online is published twelve times annually. No contents of Goldrush Magazine and Goldrush Online may not be duplicated in whole or in part without permission of the publisher. Inclusion in the Goldrush does not imply endorsement by Goldrush or its employees

Sign up for Rhee Gold Company Email Newsletters

Send Page To a Friend