Goldrush Online DanceLife Teacher Conference-Project Motivate Dance Teacher Store Recital Expo


-

RELATED LINKS

Past Editions

� Print Subscription

� Media Kit Print Edition

� About Rhee Gold

� A Gold Family History

Tickets to Success

By Shevon McBride


The pros and cons of ticketing options for school performances

  

 

If you're like most studio owners, you are always looking for ways to make your business operations more efficient. One area that often consumes more than its share of time and effort is ticketing for performances, including printing, sales options, and distribution. To set up a system that is right for your school, it's a good idea to explore the following questions:

  • What are the pros and cons of using a ticket service versus printing options?

  • Should I offer reserved or open seating?

  • Should I include tickets in a recital fee package instead of charging for individual tickets?

  • Should I do ticket sales by lottery or on a first-come basis?

  • When is the best time of year for tickets to go on sale?

  • Should I not sell tickets at all?

Because ticket sales contribute to the overall success of a recital or other production and therefore impact the following year's enrollment, it's important to review all the options, giving much thought to your geographic area and the venue where the performances will be held.

 

Ticketing services

Ticketing can be done by a ticket service, such as Ticketron, or by your staff. Using a service eliminates the need to invest time and manpower in managing and distributing orders and dealing with customers. (In many cases, you will need to supply the service with a seating chart of the performance facility.) Inquire about setting up a link to the service on your studio's website to make it user friendly for your clients. Using a ticketing service cuts down on added studio payroll obligations during the months before a performance. But before making a decision, weigh the costs of paying your staff against the cost of the service. Also, check with the manager of the facility you are renting. Ticket services could be included in your rental package or for an additional cost. Despite their convenience, ticketing services come with a major downside in terms of overall cost to your clients: Prices could be twice what you usually charge, and customers may be hit with service and postage fees. In pricing your tickets, carefully consider your area, the economy, your clientele, and the fact that you are presenting young amateur dancers, not professionals. Overpriced tickets could prevent people from coming to your school's most important event of the year. Estimating the production expenses and the number of audience members you expect will help you set a fair price. For convenience, consider charging the same price for advance and at-the door tickets. Also consider allowing free admission for small children or infants who will be sitting on a parent's lap.

 

Reserved seating

An end-of-year performance is a school owner's best selling point of the year because the audiences are full of potential clients. For many viewers, the performance will be the first impression they get of your school. One advantage to offering reserved seating is that it conveys the message that your performance will be professional and organized. The reserved seating option has enough advantages to make it worth serious consideration. Besides adding to the professionalism of the performance, it minimizes conflict; when people know where they are sitting, there is no fighting over seats or  complaints about people who save entire rows of seats for latecomers. Reserved seating also eliminates that mad rush when the doors open and the people who are desperate for front-row seats start trampling others to get there. Also, many audience members will appreciate not having to arrive an hour early in order to be guaranteed a good seat. Another advantage of using reserved seating is that if the auditorium is large but your audience is small, you have control over where people sit. For example, you can sell only the orchestra seats rather than allowing the audience to scatter throughout the house. Grouping people together gives the feeling of a full house and increases the overall energy in the auditorium, which in turn influences the performers' energy.

 

Open seating

Open seating has its advantages too. Using this process eliminates long lines of people waiting to  purchase tickets who are anxious to get the best seats. If clients are to receive a designated number of tickets, they can pick up their tickets on a specified day or have them mailed to them with their monthly statement. As a convenience to parents who want additional tickets, you can allow them to order tickets through your school's website. Again, they can be mailed or picked up at the studio. To sell tickets online you need to set up a PayPal account. The funds go directly into your account and the tickets may then be picked up by the customers or mailed to them. With open seating, be prepared to handle audience members who arrive very early, then dash into the auditorium as soon as the doors open. Stationing security guards at the doors and in the lobby helps to maintain order when large crowds accumulate. To entertain the ticket holders and keep enthusiasm high during long waits, consider showing a video of the previous year's performance, or selling or handing out programs.

 

Handling ticket sales at the studio

If you use reserved seating, on the first day of ticket sales you should anticipate long lines of eager family members. If you expect many people to show up on the first day, hand out numbers as customers arrive so that there are no disputes about whose turn it is. Handle each order as quickly as possible while still being courteous and polite. Consider having students or staff members serve coffee and cookies to your customers while they wait.

 

Ticket design

If you are handling your own tickets, a professional and organized appearance is of utmost importance. One way to do that is to design the tickets with your show's theme in mind. Have the designer of your program book design the tickets to match. Make sure to include all the vital information "who, what, when, and where" and consider printing a map or directions to the venue on the back of the tickets as a courtesy to out-of-town guests. Making the tickets the size of a dollar bill or a little smaller allows customers to keep them in their wallets, minimizing the risk of losing them. At this size, printing the tickets is fast and easy since six of them will fit on one 8 1⁄2 x 11 sheet of card stock. Ticket printing services can be found online, and many offer the option of pre-printed or customized tickets. Also check with local printers, especially if one will be printing your program book. They may be able to offer you a package deal.

 

Package deals

If dealing with high-volume first-day ticket sales isn't for you, consider including a designated number of tickets in the recital fee. By charging a flat recital fee, some school owners avoid the hassle of ticket sales entirely. You may opt to include a costume along with the tickets or limit the package to tickets and a program. If you choose to go with a recital package fee, be sure to specify the number of tickets included. Allowing each family an unlimited number of tickets could result in a lot of empty seats if they take more than they need--and unhappy people who were unable to buy tickets at the door because none were left. Let's say you include four tickets per family with the recital fee. You could charge for any additional tickets above four or allow those who want more to wait until all tickets have been distributed, then make the remaining ones available on a first come basis. Be sure to print only as many tickets as there are seats in the auditorium, and hold some out for emergencies (such as replacing lost

tickets or accommodating unexpected guests) and to sell at the door.

Lottery systems

Another option that eliminates the first-day rush is a lottery. There are several ways to do this. One method is to tie the lottery to the registration process. When families pre-register their children for the following year's classes, assign them a number based on the order in which their registration was received. Then, a couple of months before the recital, send out a letter reminding parents of their numbers and asking them to return a form that indicates the number of tickets they want for the recital. You then process the order and mail or distribute the tickets from the studio office. This system encourages pre-registration, which gives you a good idea of which students will return in the fall. Another method is to let those clients whose accounts are paid in full purchase tickets before anyone else. The first person to pay in full receives number one, and so on. This encourages people to pay the season's final bill in a timely manner. Again, you could do the processing by mail, through online sales, or by having a ticket-sale day. A third option is a totally randomized lottery in which the students draw numbers that designate their ticket-purchasing order.

 

To ticket or not to ticket

Ticket sales can be an important source of income, helping to defray the cost of the auditorium and other recital expenses. However, some facilities do ask for a percentage of the sales, which cuts into your school's profit margin. Also worth considering is the fact that some venues may reduce their fees if funds are not collected for tickets. When plenty of seating is available in the auditorium of choice, and if the venue will lower its fees, it might prove tempting not to bother with tickets at all. On the plus side, you will save yourself the expense of printing the tickets and paying someone to manage and sell them (not to mention the time you'd save). On the downside, tickets serve as a reminder of the details about the performance, possibly saving the school from fielding many phone calls asking for information.

 

Time lines

Tickets should be ordered early so that you can make them available for purchase and distribute them two months before the show. All of the advertisements for the performance should include the date that tickets go on sale and how customers can buy them. With ticket sales, as with all of the elements that go into planning and producing a show, remember that your school's recital or other major performance is the most important selling point of the year. Pay attention to every detail and make it the best experience possible for your customers. Although you should approach ticketing in the way that best suits you and your business, keep in mind that convenience for your clients usually translates into a plus for your business.

 

Send Page To a Friend


Contact: Dance Studio Life, P.O. Box 2150, Norton, MA 02766,

Phone: 888-i-dance-9, 508-285-6650, Fax: 508-285-3179,

Email: Goldrushdance@aol.com


Copyright 2008 Dance Studio Life Magazine, a division of the Rhee Gold Company and Gold Standard Press, LLC. Dance Studio Life Magazine and Dance Studio Life Online is published twelve times annually. No content of Dance Studio Life Magazine and Dance Studio Life Online may be duplicated in whole or in part without permission of the publisher. Inclusion in Dance Studio Life does not imply endorsement by Dance Studio Life or its employees

 

Visit the DanceLife

Directory of Friends

CLICK HERE

A sincere thank you to all of these dance industry leaders who are helping to promote Rhee Gold's 2008 DanceLife Teacher Conference

 

Sign up for Rhee Gold Company Email Newsletters

Send Page To a Friend