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Thinking Out Loud

By Sharon DiCrosta


Turn Back the Clock on Competition

 

As a dance educator for more than 35 years and the director of a competitive dance team for nearly that many, I have become increasingly disturbed by the direction the competition industry seems to be heading in.

 

Let me qualify that statement by saying that this is by no means a “sour grapes” discourse. Our school is successful, as is our team, and we have had more than our share of accolades, titleholders, and championships on both national and international levels. I have taught master classes and adjudicated for many well-known organizations, and I have thoroughly enjoyed every moment. I believe that healthy competition can enrich the lives of our children by teaching them about their own strengths and weaknesses and how to set realistic goals, cope with disappointment, and find acceptable ways to react to the adversities they will encounter throughout their lives.

 

When I began my career, there were fewer competitions and far fewer “winners” than there are today. Competitors were acknowledged with first-, second-, or third-place trophies or ribbons, and everyone else congratulated them and went home to work harder for the next event.

 

Enter the adjudicated competition, which seemed like a good idea at the time. Dancers did not compete against each other but for their own personal best. Now everyone could go home a winner, with a gold, silver, or bronze medal or at least a certificate of honorable mention. I watched many of my students start off with an honorable mention and spend the next 5 to 10 years working toward and achieving a gold medal. Adjudicated competitions seemed to accomplish what they set out to do—reward students for hard work by helping them set goals.

 

But things changed when someone (now hundreds of someones) realized that dance competition is a profitable business. I have no problem with these entrepreneurs; we all go into business to make a profit. My problem lies with the fact that the children who participate are paying a much higher price than an entry fee.

 

At one time the high bronze or high silver medal meant that a competitor was only five points from the next medal standing—an incentive that kept many a student working hard to close that gap. Now most organizations have made it a 15-point spread. The honorable mention award and bronze medal no longer exist and the silver medal is on its way out. These have been replaced by the high silver (also close to extinction), gold, high gold, and platinum awards as well as the “Ultimate,” “Elite,” and “Xtreme.” What will be next, a titanium award? What could we possibly be thinking?

 

We now watch our children or students cry over a gold medal because it wasn’t “high.” Even young children are distressed to receive a high silver because it is the low score of the competition, and they know it. It is becoming increasingly difficult to find events that do not cater to the “self-esteem” of all involved.

 

There are many ways to help children feel good about themselves, but pretending that everyone is “the best” isn’t one of them. Wouldn’t it be better to teach them that not everyone is equally talented but that everyone is talented in some way? I wonder what will become of these children when they enter the real world—when they are not accepted into the college of their choice, when there is only one job opening and they don’t get hired, when they fail to attain the partner, house, or car of their dreams. Will someone be standing there to give them an extremely gold medal to soothe their feelings?

 

I know that I am not the only dance educator with these concerns, so if you are a competition organizer, I hope you are listening. As I write this I am getting ready to leave for yet another event with my students. After the first day they’re a little nervous. The judges are scoring on the tough (read “realistic”) side, and the high silver medal really is only five points from gold, which is one of the reasons I chose this event for our team. I realize that it is unrealistic of me to hope that the clock will turn backward, but as an educator I feel that I have a responsibility to help my students be the best they can be—not just at a dance competition, but every day.   

 

 

 

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Copyright 2007 Dance Studio Life Magazine, a division of the Rhee Gold Company and Gold Standard Press, LLC. Dance Studio Life Magazine and Dance Studio Life Online is published twelve times annually. No contents of Dance Studio Life Magazine and Dance Studio Life Online may not be duplicated in whole or in part without permission of the publisher. Inclusion in Dance Studio Life does not imply endorsement by Dance Studio Life or its employees

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