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2 Tips for Teachers

By Mignon Furman  


Moving Steps

 

TIP ONE

for young children

 

For children ages 5 to 8, start the class with moving steps, before they stand still for demiplié or tendu. Suitable steps would be gallops, runs on a high demi-pointe, and what I call “picked-up runs,” which are running movements in which the raised knee bends and the foot is lifted behind the body. Combinations of the above movements can also be used. Moving at the start of a class builds enthusiasm and helps the children work off excess energy in a positive way or snaps them out of a state of lethargy (characteristic of warm days). This is also a good way to warm up for the class.

 

Teachers must insist that the feet are stretched, that the body is held in an upright position without any flopping, and that the hands are on the waist or the fingertips are on the shoulders or holding skirts. Vary the combinations of the moving steps and arm positions to maintain interest.  

 

TIP TWO

for older dancers

 

For children ages 9 and older, the class should end with moving steps (about the last 8 minutes). For example, temps levé in first arabesque, then the lifted leg steps across and the back foot goes to passé position. This is done in a series en diagonale. The dancers could do this two at a time, depending on the size of the class. This forms the basis upon which other steps can be developed, such as failli, assemblé, or grand jeté en avant. The same combination should be repeated over several classes, which saves time in teaching a new combination and increases the dancers’ ability to improve the movement. Also, stamina will be built up. And with more confidence, the quality of their performance will improve.

 


 

Photo by Costas

 

 

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Copyright 2007 Dance Studio Life Magazine, a division of the Rhee Gold Company and Gold Standard Press, LLC. Dance Studio Life Magazine and Dance Studio Life Online is published twelve times annually. No contents of Dance Studio Life Magazine and Dance Studio Life Online may not be duplicated in whole or in part without permission of the publisher. Inclusion in Dance Studio Life does not imply endorsement by Dance Studio Life or its employees

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