Goldrush Online DanceLife Teacher Conference-Project Motivate Dance Teacher Store Recital Expo


-

RELATED LINKS

· Current Edition

· Past Editions

· Weekly Inspiration

· Print Subscription

· Media Kit Print Edition

· About Rhee Gold

· A Gold Family History

I Feel Your Presents

By Marcia Aller


Students’ gifts that keep on giving

 

It’s time to put away the ceramic rabbit and the beautiful carved wooden egg. The fragile blown-and-painted eggs will be safe for another year, protected in their nests of bubble wrap. And with them go memories that I enjoy unwrapping along with these holiday ornaments every year.

 

Tucked away in nooks and crannies throughout my family’s home are representations of every holiday and special occasion. Items from various ethnic groups and nationalities sit side by side. Like that carved wooden egg—though it came from Hungary, it really came from the heart of one of my little ballerinas. Her grandmother brought it with her when she escaped from the tyranny of the 1956 Hungarian Revolution. Grandma passed it on to her daughter; her daughter passed it on to her daughter, Eva; Eva gave it to me. It’s quite an honor to have had such an emotionally significant gift bestowed on me, and I think of Eva’s beautiful blonde hair and turned-in toes every time I set it out at Easter. The blown eggs are a Polish tradition, and I have received many over the years. They don’t match in color, size, or perfection, and neither did their dancing donors. But each one is special to me; they represent the joy that dance teachers often feel when working with the challenges and variety of personalities in a class.

 

I am still in wonder at the thoughtfulness of a particular group of teenagers at my studio. They were advanced dancers, the top-of-the-line kids—the kind that started lessons at age 4 and almost lived at the studio, taking every ballet, tap, and jazz class they could. In a year when many students were going off to college or dance careers, I received a gift from those 32 girls that left me speechless. Each had written her name on a fabric square in big, fat letters, and their moms took those squares and assembled the most beautiful, unique, and filled-with-love quilt you ever saw.

 

Like most dance teachers, I have received many lovely gifts at holiday times—sometimes in multiples. One year I received every cream sachet scent that Avon made. Another year it was five pens adorned with the pink ribbon that symbolizes the fight against breast cancer. I take a small travel pillow (another thoughtful gift) on every trip, and it brings back happy and silly memories. And lots of cookies and fudge have made the annual “I will lose weight” New Year’s resolution a must for me.

 

For years now I have put up two Christmas trees—our tree at home, with family-remembrance ornaments, and my “dancing tree” at the studio. It takes hours and hours to decorate that tree because as I hang each ornament I think about the student who gave it to me. Many are handmade— one of a kind, just like the child who gave it to me. I have ballerinas in arabesque, sitting on chairs, tying shoes, or being lifted by partners. (I can imagine my little dancers dreaming of themselves in those stunning tutus and poses.) I also have ballerina pigs, reindeer, Santas, cows, cats, and (of course) frogs. The Nutcracker selection is interesting, as is the variety of tiny dance shoes. Moms and grandmas seem to get in the spirit too, judging from the unique cross-stitch pieces I have collected.

 

Holidays, however, aren’t the only times when memories of former students flood my mind. An exquisite painting by a Moscow street artist hangs in my living room. (Thank you, Sandra!) A bookcase holds a limited-edition collector’s plate of a Don Quixote scene as portrayed by American Ballet Theatre. (Thanks, Rene!) Also in places of honor are a Degas sculpture (thanks, Eye of the Storm teens), a pewter ballet figurine (courtesy of Leslie), and a small painting of pointe shoes. The painting, only three inches by four inches, done by a very talented and beautiful student, has its own story. The painter, “T,” could have been a professional dancer. I thought she had everything it takes—brains, talent, looks, and a supportive family. I was right on three counts and wrong on the fourth. When she stopped dancing as a junior in high school, I was crushed. Three years later, she called me from a rehab center and talked and talked. I heard about her abusive dad, her demanding mom, and school pressures. She cried when she told me that her only happy times had been at dance school. I cried too. It was my last contact with her. I wonder if she can feel me thinking about her as I dust the little painting.

 

We teachers are so lucky to have so many perks. Each day, going to the studio, I wonder, “Will today be a diamond or a rock?” We’re all familiar with those rocks. But oh, how those beautiful, never-to-be-forgotten diamonds shine in our lives and memories.  

 

 

Send Page To a Friend


Contact: Goldrush, P.O. Box 2150, Norton, MA 02766,

Phone: 888-i-dance-9, 508-285-6650, Fax: 508-285-3179,

Email: Goldrushdance@aol.com


Copyright 2007 Goldrush Magazine, a division of the Rhee Gold Company and Gold Standard Press, LLC. Goldrush Magazine and Goldrush Online is published twelve times annually. No contents of Goldrush Magazine and Goldrush Online may not be duplicated in whole or in part without permission of the publisher. Inclusion in the Goldrush does not imply endorsement by Goldrush or its employees

Sign up for Rhee Gold Company Email Newsletters

Send Page To a Friend

 

NEW!
Visit the DanceLife

Directory of Friends

CLICK HERE

A sincere thank you to all of these dance industry leaders helping to promote Rhee Gold's DanceLife Teacher Conference