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An Historic Glimpse at the Competitive Urge

By Tracey Zimmerman


Putting a positive spin on the drive to excel

 

Competition has been a part of our culture since the beginning of time. It is human nature for men and women to be competitive, and through this driving personality trait humans push to be the best in their everyday activities. Dancers are no exception.

 

One of the first notable occurrences of competition occurred during the African slave passage to America. From this emerged the birth of the famous Cakewalk dance in the early 1800s, followed by the evolution of competitive variety acts known as minstrels. Social dances also began to emerge during this time, and by the early 1900s more than 100 dances had been created. Social dances created such a phenomenon that in 1907 a dance competition, the Tango Tournament, was held in Nice, followed by the first world championships in Paris in 1909. Dance continued to flourish and new innovations appeared, creating popular crazes among musicians and dancers. Discos were the hot new trend throughout the 1960s and ’70s; later new contemporary forms of dance and competitions developed, creating the society that presently exists.

 

One of the most recent forms of dance competitions are talent-based “reality” television shows. These variety shows give performers the opportunity to compete against one another for cash prizes and national recognition. Through them, production companies hope to create opportunities that might serve as professional launching pads for talented artists.

 

Dance and competitions have evolved tremendously over the past century. Today’s most prestigious dance competitions are sponsored by associations whose primary focus is to create an atmosphere for students and teachers that helps strengthen both their technical and educational levels. Competitions have developed into professional organizations that hold annual talent contests and conventions at the local, regional, and national levels. These organizations are dedicated to improving and enhancing teacher and student education as well as furthering the standards of dance in all its forms. With such a large emphasis on education, dance organizations share a mission to be at the artistic forefront by promoting the highest possible standards of teaching.

 

Another important factor of competitions today is the amount of scholarship money awarded to participants to further their dance education. Scholarships are granted for continued training via master classes, private schools, universities, and professional schools of dance. In addition, monetary scholarships are also granted to deserving artists, associations, and professional dance companies in recognition of their contributions to the dance community.

 

There are also many dance competitions at the collegiate and professional levels. These contests focus on choreography, artistry, and performance. Collegiate competitions, also referred to as dance festivals, provide a venue for students to engage in workshops, lecture/demonstrations, and master classes taught by instructors from around the country. Most important, the festivals provide a unique opportunity for students and faculty to have their works adjudicated by a panel of nationally recognized dance professionals in an open and constructive forum. This performance venue helps young artists study and compete against students of the same caliber, as well as gain respect for artists who share their passion and drive.

 

The primary focus of many organizations that sponsor competitions is dancer education. They offer classes and seminars that provide opportunities to grow as artists, along with the chance to win awards and scholarships. Competitions can be challenging, but if approached as a learning experience they can be extremely beneficial to dancers, offering one of the most rewarding experiences in dance. Competitions can and should be used as a means of inspiration, to push students to work hard and achieve things they never thought possible.

 

Competition exists in all aspects of dance, including auditions for scholarships and jobs, casting for lead roles, or recognition from teachers, directors, and critics. Many professional dancers say that the performing experience gained at competitions can be valuable in instilling strong technical and artistic values, generating the drive to improve, giving them an advantage at auditions, and providing exposure to agents and choreographers.

 

Dance competitions sometimes present difficult situations that offer opportunities to learn, develop patience or endurance, and rise above the human tendency to wallow in self-pity. In order to be perceived as beneficial, they need to create an atmosphere in which dancers grow as artists and individuals. Through that growth and maturation, dancers can come to realize the positive impacts of dance competitions and the benefits of the everyday forms of competition that surround us in our lives.   

 

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Contact: Goldrush, P.O. Box 2150, Norton, MA 02766,

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Copyright 2006 Goldrush Magazine, a division of the Rhee Gold Company and Gold Standard Press, LLC. Goldrush Magazine and Goldrush Online is published twelve times annually. No contents of Goldrush Magazine and Goldrush Online may not be duplicated in whole or in part without permission of the publisher. Inclusion in the Goldrush does not imply endorsement by Goldrush or its employees

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